The Guide to Raising the Dead - Tmuna Theater
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"... Relationships after death are a strange matter, and one that is certainly not explored enough. Most people I meet can talk for hours about their relationships with living people, exploring and delving into them, but once someone dies, they stop exploring what's happening now in the relationship between them. Or at least, they almost never talk about it. And anyone who has lost someone knows that a lot happens, and keeps happening." — Mia Tavat Dayan Do the dead leave us signs? Do they gain the powers of a god? Do they watch over us? Can we ask things of them? Do we need to report to them about the events happening in our lives, or do they see for themselves? Do they have feelings? Can we offend them? Can they be hurt or disappointed? Happy? Should we take their feelings into account in our daily actions? Whether we believe in reincarnation, life after death, angels, or believe there is nothing — absolute emptiness, a bagel hole... one thing is certain: there are relationships. There are words we never got to say, sentences etched into memory, and conversations that are still taking place. In this show, the Lupo family meets its various relationships with its dead. Its purpose is to explore the radioactive soil on which a family grows, and to reveal how the emotional radiation of past events sends down roots and reaches into the lives of the next generations, how it affects family dynamics, and to try to understand how we inherit, curate, and process material from what is present but not necessarily known. Written and directed by: Inbal Lahavi Dramaturgy and movement design: Meital Raz Set design: Ani Atadgi Yelin Costume design: Noa Tzankel Fayzer Original music: Ruth Shoali and Itay Berkovich Lighting design: Amir Castro Graphic design: Daniel Grummer Production management: Avia Hadida Cast: Tal Sadeh, Lior Lev, Irit Natan Bendek, Rina Padva The show was produced with the support of the Ministry of Culture and Sport, the Mifal HaPais Council for Culture and Arts, and AIB — the Independent Theater Creators Organization.